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Vann
Nath - painter
Contact:
c/o CVCD: cvcd@forum.org.kh
Vann
Nath was born in 1946 in Battambang.
His art training was through apprenticeship
with a local sign painter. Before
the war, he painted movie posters
and portraits. The fact that Vann
Nath's background was non-traditional
helped spare his life during the Pol
Pot regime. In 1978 he was sent to
Tuol Sleng Prison ("S-21")
in Phnom Penh, where he was tortured
and nearly killed. Fortunately, his
talents were discovered in time, and
the Khmer Rouge asked him to paint
many propaganda portraits of Pol Pot.
At the end of the war Vann Nath was
one of the seven survivors of Tuol
Sleng, where nearly 20,000 people
died.
In
1979 Vann Nath was asked by the new
government to paint pictures of the
prison tortures for the world to know
the secret horrors of the "Killing
Fields." These moving works hang
in the prison-turned-museum today,
and are unforgettable for all visitors.
In 1998 Vann Nath wrote A Prison
Portrait: One Year in the Khmer Rouge's
S-21, published by White Lotus
Press.
Only
recently has Vann Nath returned to
painting. The most important project
for him now is to have his design
for an elderly housing complex in
Battambang realized. This, he says,
is to help those older Cambodians
whose children died in the war, thus
leaving no one to care for them. This
project has recently been published
in Ingrid Muan's article "A Small
Start: Vann Nath's Plan for an Old
People's Home in Battambang, Cambodia"
(Persimmon, Summer, 2001).
A
recent painting by Vann Nath, The
Village of My Birth, appeared
in Reyum Gallery's 2000 exhibition,
"The Legacy of Absence: A Cambodian
Story." It has a peaceful, happy
note, in contrast to the earlier works
he painted to document his prison
experience.
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Artist
in His Cell, acrylic on canvas,
ca. 1980 |
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Classroom
Turned Prison, acrylic on
canvas, ca. 1980 |
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Mother
and Child, acrylic on canvas,
ca. 1980 |
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Water
Torture, acrylic on canvas,
ca. 1980 |
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Water
Torture site, photograph 2001,
A.W.Norton |
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Nail-pulling
Torture, acrylic on canvas,
ca. 1980 |
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Electricity
and Water Torture, acrylic
on canvas, ca. 1980 |
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Toul
Sleng Prison, photograph 2001,
A.W.Norton |
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The
Village of My Birth, oil
on canvas, 1998, 210x132cm
(image
courtesy of Reyum Gallery and
Vann Nath)
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