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Joan R. Branham, Ph.D.

 


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Chair, Department of Art and Art Hi​story​
Professor of Art History
Late-Antique and Medieval Cultures

Chair of Fellowships
W.F. Albright Institute of Archaeological Research in Jerusalem

Email: jbranham@providence.edu
Phone: 401-865-1789
Office: Hunt-Cavanagh Hall Room 200

 

Biographical and Research Background:

Joan Branham is Professor of Art History and Chair of the Department of Art and Art History at Providence College where she teaches courses in late-antique and medieval art and architectural history.  She has been an invited visiting professor at Harvard University and Brown University, and currently serves as Chair of Fellowships for the W.F. Albright Institute of Archaeological Research in Jerusalem.

Professor Branham’s research interests include theories of sacred space, the relationship of gender, blood, and sacrifice in ancient Judaism and Christianity, the iconography of late-antique synagogues and churches, and textual and visual strategies—ancient and modern—to emulate the ancient Jerusalem Temple.  She has also participated as a scholarly consultant in documentary film projects including The Trial of Jesus (History Channel, 2004), Epic History of Blood (PBS, 2002), Hagia Sophia (Discovery Channel, 1999), The Bible’s Buried Secrets (NOVA / PBS, 2008), Building the Great Cathedrals (NOVA / PBS, 2010), and currently The Unshakeable Hagia Sophia (NOVA/PBS forthcoming).

Joan Branham obtained her PhD from Emory University in 1993 receiving Emory’s Award for Excellence in Graduate Research.  She conducted her doctoral work at the Institute of Archaeology at the Hebrew University of Jerusalem with an Interuniversity Fellowship for Jewish Studies, and wrote her dissertation with fellowships from the American Association of University Women, the Memorial Foundation for Jewish Culture, and the Kress Foundation.  Professor Branham has received a number of postdoctoral fellowships from the Women’s Studies in Religion Program at Harvard Divinity School (2001-02 and 2007-08), National Endowment for the Humanities (2002), Chateaubriand Foundation at the École Pratique des Hautes Études, the Sorbonne, Paris (1994-95), and Getty Center for the History of Art and the Humanities (1993-94).

 

Academic Positions and Awards:

IMG_0470.JPG2009-present:
Professor of Art HistoryDepartment of Art and Art History, Providence College, responsible for the medieval art history curriculum. 1999-2009: Associate Professor; 1995-1999: Assistant Professor, Providence College.

 2004-present:
Chair of FellowshipsW.F. Albright Institute of Archaeological Research, Jerusalem. Chair NEH and AIAR Fellowship committees in biblical studies, archaeology, religion, history, and art history.

2006-12:
Vice PresidentW.F. Albright Institute of Archaeological Research, Jerusalem.

2007-08:
Acting Director and Research AssociateWomen's Studies in Religion Program, Harvard Divinity School. Scholarly project and graduate seminar: “Ritual, Gender, and Space in the Jerusalem Temple, Ancient Synagogues, and Early Churches.”

2003-07:
DirectorCenter for Teaching Excellence, Providence College. Direct campus-wide program focusing on linking research and teaching for faculty.

2002-03:
Fellow, National Endowment for the Humanities

Visiting ScholarEpiscopal Divinity School, Cambridge

Visiting Associate ProfessorDepartment of History of Art and Architecture at Brown University.

2001-02:
Research Associate and Visiting LecturerWomen's Studies in Religion Program, Harvard Divinity School.  Scholarly project and graduate seminar: "Sacred Space as Gendered Space: Women, Blood, and Sacrifice in Late Antiquity."

1994-95:
Chateaubriand Postdoctoral ScholarÉcole Pratique des Hautes Études, Sorbonne, Paris.

1993-94:
Postdoctoral FellowGetty Center for the History of Art and the Humanities.

1993:
Ph.D., Graduate Institute of Liberal Arts and Art History Department, Emory University. Dissertation: “Sacred Space in Ancient Jewish and Early Medieval Christian Architecture.” Dissertation advisers: Thomas Lyman, Emory University and Richard Brilliant, Columbia University.

1988-89:
Interuniversity Fellow for Jewish Studies, Institute of Archaeology, The Hebrew University of Jerusalem.

1986:
Diplôme d'études françaises, Centre d’études et de Recherches Interdisciplinaires en Théologie, Université de Strasbourg, France; Mention: Très Bien.

1985, 1983:
M.A. Religious Studies, B.A. Humanities, Florida State Universitysumma cum laudePhi Beta Kappa.

 

Courses Taught:

Sacred Space in Judaism, Christianity, and Islam (PC and Brown University)
Survey of Art History (team taught)
Blood:  An Interdisciplinary Faculty Seminar (team taught)
Ritual, Gender, and Space in Ancient Judaism and Early Christianity (Harvard University)
Medieval Art and Architecture
Byzantine Art and Architecture
The Art of Sacrifice: Judaism and Christianity
Gothic Cathedrals Decoded
Joan.jpgSacred Space as Gendered Space (Harvard University)
Introduction to Jewish Art and Architecture
The Apocalypse in Art
Museum Studies
Directed Studies in Synagogues of Late Antiquity
Classical Art:  Greek and Roman
Love and Death in Roman Art
Principles of Research: Art History Senior Thesis

 

Teaching Philosophy:

The lust for learning is a contagious one. The Talmud says, "What comes from the heart, enters the heart." Indeed, when I teach from the heart, and not solely from the head, I am communicating to students more than basic information; I am conveying a fundamental love of learning, itself.  Once the desire for knowledge has been ignited in the hearts of students as well, something transformative happens and they become masters of their own passion for learning.

 

Selected Publications (for offprints, please go to Academia.edu): 


Books:

Sacred Space Under Erasure:  Gender, Sacrifice, and Architecture in Ancient Judaism and Early Christianity, (New York: Cambridge University Press), forthcoming.

Articles in Journals and Edited Books:

“Mapping Sacrifice on Bodies and Spaces in Late-Antique Judaism and Early Christianity,” Architecture of the Sacred:  Space, Ritual, and Experience from Classical Greece to Byzantium, eds. Bonna Wescoat and Robert Ousterhout (NY: Cambridge University Press, 2012), 201-230.

“The American Presence in Jerusalem:  Through the Gates of the Albright Institute,” Unearthing Jerusalem:  150 Years of Archaeological Research in the Holy City, eds. Katharina Galor and Gideon Avni (Winona Lake, Indiana:  Eisenbrauns, 2011), 73-94.

“The Temple that Won't Quit: Constructing Sacred Space in Orlando's Holy Land Theme Park,” Harvard Divinity Bulletin, Autumn 2008, vol. 36, no. 3, 18-31; reprinted in CrossCurrents, Fall 2009, 358-82.

"Penetrating the Sacred: Breaches and Barriers in the Jerusalem Temple," Thresholds of the Sacred: Architectural, Art Historical, Liturgical, and Theological Perspectives on Religious Screens, East and West, ed. Sharon Gerstel (Cambridge, MA: Harvard University Press, 2006), 6-24.


“Women as Objects of Sacrifice? An Early Christian ‘Chancel of the Virgins',” La cuisine et l'autel: Les sacrifices en questions dans les sociétés de la Méditerranée ancienne, ed. S. Georgoudi, R. Koch Piettre, F. Schmidt (Turnhout: Brepols, 2006), 371-386.

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“Hedging the Holy: Walls as Symbolic Devices at Qumran,” Qumran The Site of the Dead Sea Scrolls: Archaeological Interpretations and Debates, eds. Katharina Galor, Jean-Baptiste Humbert, and Jürgen Zangenberg (Boston: Brill, 2006), 117-131.

“Bloody Women and Bloody Spaces: Menses and the Eucharist in Late Antiquity and the Early Middle Ages,” Harvard Divinity Bulletin, Spring 2002, vol. 30, no. 4, 15-22.

“Mapping Tragedy in the U.S. Holocaust Memorial Museum,” The Tragic in Architecture (Chichester, England: John Wiley & Sons, Ltd., 2000), 54-59.

“Blutende Frauen und blutige Räume: Menstruation und Eucharistie in Spätantike und Mittelalter,” Vorträge aus dem Warburg-Haus, Band 3, 1999, 129-161.

“Blood in Flux, Sanctity at Issue,” RES Anthropology and Aesthetics, XXXI, Spring 1997, 53-70.

“Vicarious Sacrality: Temple Space in Ancient Synagogues,” Ancient Synagogues: Historical Analysis and Archaeological Discovery, II, eds. Dan Urman and Paul V. M. Flesher (Leiden: E.J. Brill, 1995), 319-345.

“Sacred Space Under Erasure in Ancient Synagogues and Early Churches,” The Art Bulletin, LXXIV, 3, 1992, 375-394. Received the 1993 Award for Excellence in Graduate Research in the Humanities, Emory University.

 

Articles in Museum Journals and Catalogues:

“Through the Lens of Children,” Montessori Children's House, Curator of exhibition of Children's Art (Providence: Montessori Children's House, 2001), 4-6.

"Ritual Elem​ents in the Art of Barnaby Evans," Exhibition Notes, no. 7, (Providence: The Rhode Island School of Design Museum, 1999).

“Ot-Ha-Kalon -- Badge of Shame: Traces of Medieval Markings,” Exhibition by Marcia Cohen, (Atlanta: Marcia Wood Gallery, 1995).

“Sacrality and Aura in the Museum: Mute Objects and Articulate Space,” The Journal of the Walters Art Gallery , LII/LIII, 1994/1995, 33-47.

 

Additional Essays and Interviews on the World Wide Web:

"The Crucifixion and Ice Cream: Inside Orlando's most Unusual Theme Park, the Holy Land Experience," Newsweek.com, May 2008.

"The Holy Land comes to Florida as a Theme Park," The Harvard University Gazette, vol. 103, no. 20, March 20-April 2, 2008, 16-16."Joan Branham, Sacred Space Scholar," Not Your Classroom, Brown University BSR Radio Interview, Feb. 28, 2006. 
 
 "Blood in Ancient Judaism and Christianity," PBS, with Rev. Dr. Andrew McGowan, 2002.


Book Review

Carolyn Osiek, Margaret Macdonald, w/Janet Tulloch, A Woman's Place: House Churches in Earliest Christianity, American Journal of Archaeology, vol. 112, no. 2, April 2008.

Michel Kaplan, ed., Le Sacré et son inscription dans l'espace à Byzance et en Occident, Speculum: A Journal of Medieval Studies, 78, 4, October 2003, 1326-28.

Desmond Seward, Caravaggio: A Passionate Life, Providence: Studies in Western Civilization, 7, 2 Spring 1999, 210-211.

Steven Fine, ed., Sacred Realm: The Emergence of the Synagogue in the Ancient World, American Journal of Archaeology, 102, April 1998, 445-446.

Yoram Tsafrir, ed., Ancient Churches Revealed, American Journal of Archaeology, 100, January 1996, 194-195.

 

Documentary T.V. and Film Projects:

IMG_0430.JPGThe Unshakeable Hagia SophiaNOVA/PBS, On-camera Scholarly Consultant (forthcoming).

Building the Great Cathedrals – view clip, NOVA/PBS, On-camera Scholarly Consultant (2010).  A scholarly documentary on the engineering, history, and symbolism of medieval Gothic cathedrals.

The Bible's Buried Secrets view clip, NOVA/PBS, On-camera Scholarly Consultant (2008). A scholarly documentary on the origins of the Israelites and the archaeology of the Bible.

The Trial of Jesus – view clip, The History Channel, On-camera Scholarly Commentator and Writer (2004). A scholarly documentary on the trial and death of Jesus. View Providence College press release.


Sacred Space at Ground Zeroview clip, Religion and Ethics Newsweekly, September 6, 2002.  Program on Religion and Ethics Newsweekly examining the debate over whether or not the site of the World Trade Center can be categorized as "sacred space."

Red Gold: The Epic Story of Blood – view clip, PBS, On-camera Scholarly Commentator (2002). Four-part series tracing the history of blood and its impact on religion, medicine, commerce, and popular culture.

Women Pharaohs, view clip, The Discovery Channel, Scholarly Consultant (2001). History of female cult--the Gods Wives of Amun--and women's influence and power in ancient Egypt.


American Byzantine, PBS, On-camera Scholarly Commentator (2000). Byzantine elements in Shrine of the Immaculate Conception in Washington D.C.

Hagia Sophia, view clip, The Discovery Channel, On-camera Scholarly Commentator (1999). Byzantine architecture and Justinian in documentary on Hagia Sophia.


Doomsday at the Dead Sea, The Discovery Channel, Writer and Scholarly Consultant (1997). Research and writing of script on apocalyptic attitudes and context of ancient Jewish sect at Qumran, site of the Dead Sea Scrolls.

Ancient Skywatchers, The Discovery Channel, Writer and Scholarly Consultant (1996). Writing and editing of script on sacrificial and astronomical practices of Mayan and Anasazi cultures.

 

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