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Position
Academic Background
Sample Courses
Teaching Philosophy
Research & Interests
Notable Academic Appointments & Awards
Publication Highlights
Selected Scholarly Presentations
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Position
- Professor of Art History
- Department Chair, Art and Art History
Academic Background
- Emory University – Ph.D. Art History, 1993
- Université de Strasbourg, France – Diplôme d’études françaises, 1986
- Florida State University – M.A. Art and Religious History, 1985
Sample Courses Taught at Providence College
- Medieval Art and Architecture
- Sacred Space in Judaism, Christianity, and Islam
- The Apocalypse in Art
- Survey of Art History
- Early Christian and Byzantine Art and Architecture
- Love and Death in Roman Art
Teaching Philosophy
The lust for learning is a contagious one. The Talmud says, "What comes from one heart, enters another’s heart." Indeed, when I teach from the heart, and not solely from the head, I am communicating to the students more than basic information; I am conveying a fundamental love of learning, itself. Once the desire for knowledge has been ignited in the hearts of the students, something transformative happens, and students become masters of their own passion for learning.
Research & Interests
My academic passion finds itself at the intersection – and often collision! – of the art historical and religious worlds. I've been captivated by the relationship of "the sacred" and "the profane" in architecture. How is the sacred constructed physically in ancient Judaism and Christianity? How can one type of substance – most notably blood – be considered the most purifying substance in one setting and the most defiling in another? How do questions of sacrifice and gender influence the structuring of the sacred and the profane? The life of our present religious and artistic communities often emerges from these late-antique traditions and centuries of grappling with them, making them relevant and important issues for students to understand today.
Also, as Director of the Center for Teaching Excellence, I think it is important to recognize the multiple dimensions of faculty members, especially in their roles as teachers and scholars. The CTE is thus committed to supporting faculty teaching and research, not simply as two separate entities, but as mutually reinforcing elements within the lives of faculty members.
Notable Academic Appointments and Awards
- National Endowment for the Humanities Fellowship, 2002-2003
- Brown University, 2003, Visiting Associate Professor, History of Art and Architecture
- Harvard University, 2001-2002, Research Associate and Visiting Lecturer in the Women's Studies in Religion Program. Scholarly project and graduate seminar: "Sacred Space as Gendered Space: Women, Blood, and Sacrifice in Late Antiquity"
- Hamburg, Aby-Warburg-Stiftung (Hans-Reimer-Preis), 1997-1998
- Postdoctoral Positions:
- The Sorbonne, École Pratique des Hautes Études, 1994-1995, Fellow
- The Getty Center for the History of Art & the Humanities, 1993-1994, Fellow
Publication Highlights
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“The American Archaeological Presence in Jerusalem: Through the Gates of the Albright Institute,” The Jerusalem Perspective: 150 Years of Archaeological Research, eds. Gideon Avni and Katharina Galor (Winona Lake, IN: Eisenbrauns), forthcoming.
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"Penetrating the Sacred: Breaches and Barriers in the Jerusalem Temple," Thresholds of the Sacred: Architectural, Art Historical, Liturgical, and Theological Perspectives on Religious Screens, East and West, ed. Sharon Gerstel (Cambridge, MA: Harvard University Press, 2006), 6-24.
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“Women as Objects of Sacrifice? An Early Christian ‘Chancel of the Virgins',” La cuisine et l'autel: Les sacrifices en questions dans les sociétés de la Méditerranée ancienne, ed. S. Georgoudi, R. Koch Piettre, F. Schmidt (Turnhout: Brepols, 2006), 371-386.
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“Hedging the Holy: Walls as Symbolic Devices at Qumran,” Qumran The Site of the Dead Sea Scrolls: Archaeological Interpretations and Debates, eds. Katharina Galor, Jean-Baptiste Humbert, and Jürgen Zangenberg (Boston: Brill, 2006), 117-131.
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“Mapping Tragedy in the U.S. Holocaust Memorial Museum," The Tragic in Architecture (Chichester, England: John Wiley & Sons, Ltd., 2000), 54-59.
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“Blood in Flux, Sanctity at Issue,” RES Anthropology and Aesthetics, XXXI, Spring 1997, 53-70.
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“Vicarious Sacrality: Temple Space in Ancient Synagogues,” Ancient Synagogues: Historical Analysis and Archaeological Discovery, II, eds. DanUrman and Paul V. M. Flesher (Leiden: E.J. Brill, 1995), 319-345.
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“Sacrality and Aura in the Museum: Mute Objects and Articulate Space,” The Journal of the Walters Art Gallery, LII/LIII, 1994/1995, 33-47.
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“Sacred Space Under Erasure in Ancient Synagogues and Early Churches,” The Art Bulletin, LXXIV, 3, 1992, 375-394. Received the 1993 Award for Excellence in Graduate Research in the Humanities, Emory University.
Selected Scholarly Presentations and Activities
Documentary Television Projects
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Digging the Bible – view clip, NOVA/PBS, Scholarly Consultant (airs Nov. 18, 2008). A scholarly documentary on the origins of the Israelites and the archaeology of the Bible.
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American Byzantine, PBS, On-camera Scholarly Commentator (2000). Byzantine elements in Shrine of the Immaculate Conception in Washington D.C.
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Hagia Sophia, The Discovery Channel, On-camera Scholarly Commentator (1999). Byzantine architecture and Justinian in documentary on Hagia Sophia.
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Qumran: Doomsday Cult, The Discovery Channel, Writer and Scholarly Consultant (1997). Research and writing of script on apocalyptic attitudes and context of ancient Jewish sect at Qumran , site of the Dead Sea Scrolls.
View Other Faculty Profiles
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